In The Martial Chronicals, Ray Bradbury provides a glimpse into the future that
not only looks at
people from a technological standpoint, but from a human one as well. His well crafted,
almost poetic
stories are science fiction in setting only. They put much more emphasis on the apathy
and
inhumanity of modern society, rather than the technology. (Bryfonski, 68)
Ray Dougless Bradbury was born on August 22, 1920 to Leonard Spaulding and Ester
Bradbury in
Waukegan, Illinois. He began his writing at the young age of twelve, mostly for his own
amusement.
His fantastic sytle of writing was developed during this time as he read the Oz books,
Alice in
Wonderland, Tarzan, Grimms' Fairy Tales, and the works of Poe. In 1934 his family moved
to Los
Angeles, where Bradbury attended high school and joined the Los Angeles Science-Fantasy
Society.
While a member, Bradbury published four issues of his own magazine, Futuria Fantasia.
After
graduating from high school in 1938 he took various jobs which allowed him to devote much
of his
time to writing. His first story, published in 1940 by Script magazine, was "It's Not
the Heat, It's the
Hu" and established Bradbury's popular theme of social irritation. By 1942, Bradbury was
able to
earn enough money writing that he could give up his job selling newspapers and devote all
of his time
to what he loved. (Candee 88)
As some critics would agree, the term "science-fiction" does not apply to Bradbury's
work. Most
of his stories are more along the lines of fantasy with an intense understanding of human
nature. In
"The Green Morning", a man named Benjamin Driscoll arives on Mars looking for a job and a
way to
fit in. Before long, however, he faints, as many people do, because of the thin air of
Mars. Upon
waking, the first thing he notices is the lack of trees on the Martian plains. He
decides that his job
should be to plant trees. He works for weeks planting trees of all kinds across the
Martian
countryside but the lack of rain leads him to believe that all of his efforts are in
vain. That night the
rains come, and when Driscoll awakens the next morning, he finds a Mars covered with
trees over six
feet tall, "nourished by alien and magical soil"(Bradbury 77), and producing a "mountain
river"(Bradbury 77) of new air. As Bradbury says, "Science fiction is really
sociological studies of the
future, things that the writer believes are going to happen by putting two and two
together...Fantasy
fiction is the improbable" (Candee 88). Quite obvioulsy, that story is not very probable
and should not
be classified as science-fictioin.
Another exaple of such an improbable story lies in the chapter entitled "YLLA".
Bradbury
goes to great lengths in this chapter to discribe the Martian setting using fastastic
imagry such as
crystal pillar houses, golden fruits growing from the walls, and martians with light
brown skin and
golden eyes. At one point he even mentions the "flame birds" that the martians use for
transportation.
Even the martian names in his stories are unbelievable. He uses names such as Mr. K, Mr.
Xxx, Mr
Iii, etc and doesn't even bother making them realistic. But for Bradbury's "purposes the
trappings of
science fiction are sufficient--mere stage settings" (Riley 43). He uses his
sci-fi/fantasy settings as a
medium to express human behaviors and shortcomings.
In the stories of The Martian Chronicals, Bradbury is never hesitant to critisize
mankind and our
"misapplication of science to avaricious ends" (Bryfonski 68). In the chapter called
"-And the Moon
be Still as Bright", Bradbury details the arrival of the fourth expedition of men from
earth and their
discovery of a dead planet as a result of diseases transmitted from previous expeditions.
A man
named Spender was the sole voice of opposition against all of the disrespect shown by his
crew
members toward the once noble race of Martians. While many of the men are getting drunk
and
partying, Spender is grieving and appealling to his captain, who can do nothing. Spender
is pushed
over the edge when a drunk named Biggs gets sick in the middle of one of the most
beautiful cities of
Mars. Spender is so offened that he disappears into the Martian hills and does not
return for two
weeks. When he does return, he goes on a murderous rampage, first killing Biggs, and
then four of
his fellow crew members. Through Spender, Bradbury is showing his disapproval of
mankind's
exploit of other races by the misapplication of technology. (Bryfonski 68)
Another important aspect of Bradbury's work in The Martian Chronicals is his
demonstration of
human's "inability to forget, or at least resist, the past" (Bryfonski 70). When the
second expedition of
Earthmen arrive on Mars, Captain Williams, its arogant leader, expects praise and
congradulation
from the Martians and is confused when no one takes him seriously. The crew walks from
door to
door looking for someone who will acknowlegde their accomplishment, but no one even seems
to
care. The men can't "accept the fact that this is Mars-a different, unique new land in
which they must
be ready to make personal adjustments"(Bryfonski 70) until after it is too late to do
anything about it.
They are thought to be insane Martians, who have the ability to project their thoughts,
thus explaining
their appearance. The only cure, as they are told, for such insanity, is death. Shortly
after, each crew
member is executed. Their executer's demise is also brought about by an inability to
forget the past.
He is the administrator of an insane isylum in which the men are placed. His job is to
evaluate and, if
nescessary, kill insane Martians. After he kills the Earthmen, he expects their bodies
to return to the
"normal" Martian form. When they do not, he is convinced that he has become insane and
procedes
to kill himself as well.
Another story with incidents of human inability to change lies in chapter "The Earth
Men", which,
in some ways, "acts as a metaphor for the book as a whole"(Bryfonski 70). Here, a third
expedition of
Earthmen arrive on Mars, only to find a town not unlike one in the United States in the
mid-1800's.
Upon exiting their ship they were even more suprised to find people, old friends and
relatives, that had
been dead for years on Earth. They are told that this is the place where people come
when they die,
and before long the entire crew abandoneds their ship and reminisces with people from
their past.
That night all of the crew members settle in with their long lost families, and just a
little too late,
Captain John Black realizes their fatal mistake. The martians, endowed with the gift of
telepathy,
create an elaborate illusion to fool the humans into vacating their ship and leaving them
defenseless.
As the crew lies silently in bed, they are murdered by the Martians, thus ending the
third expedtion.
Although Bradbury's style of writing cannot be considered science fiction, it is a
very unique and
an important part of modern literature. His stories inThe Martian Chronicles established
him as a
serious writer of science fiction and fantasy and are full of wonderful images, messages,
and truths
about life (Solomon). "Bradbury's stories are not an escape from reality; they are
windows looking
upon enduring reality" (Bryfonski 69).
|