By the ninth century people all over were telling the fabulous tales and romances about
Arthur and his kingdom. The common people heard them sung by bards, while in the court
poets wrote different versions. In each retelling the speaker would select certain
details for emphasis and introduce new elements, so that the story could be adapted to
the particular time and audience. Although most historians believe that there actually
did exist an Arthur, they differ on how major his role was on influencing society during
his time.
To understand the most widely accepted view on when and how Arthur gained fame, one must
be aware of the historical time period surrounding Arthur. The unity that the Roman
government imposed on Britain disappeared around 410 AD. In its place arose small
villages whose rulers struggled for political and military supremacy. Around 540, a
Welsh monk and historian named Gildas wrote in his book Concerning the Ruin and Conquest
of Britain that "The disasters that the British people suffered at the hands of the
Anglo-Saxons after the Roman withdrawal were clear evidence that god was punishing them
for their sins." It was during these disasters that the monk was referring to that
Arthur held up resistance for the Britons against the Saxons, at a time when Britain was
constantly being threatened by invaders. Through being the commander who routed the
battles against the enemy and thereby saving the south of Britain from distruction of the
Saxons, "Arthur became the image of the hero and savior whose death people refused to
believe in and whose return was yearned for."
The opinion that Arthur was a genuine figure in history, though not the glorious King
Arthur that most people know him to be, is largely based on the writings of Nennius, a
Welsh historian, who gave the first and only historical account of Arthur's military
career in Chapter 56. The passage starts with a date.
"After the death of Hengist, his son Octha came from northern
Britain and settled in Kent, whence come the kings of Kent.
Then Arthur fought against them in those days, with the
Kings of the Britons, but he himself was the leader of the battles."
Here Nennius implies that Arthur was not a king but a general of some sort, who helped
the rulers of small British kingdoms organize themselves, combining forces to fight
against the Saxons. In another section entitled The Marvels of Britain, Nennius calls
Arthur a soldier: Here he tells of Cabal, the dog of Arthur the Soldier, and of the
grave of Anwr, the son of Arthur the Soldier.
The passage then continues describing the twelve battles that Arthur fought and won.
The last battle, the greatest in the history of the country, was at Badon Hill. It
resulted in a total massacre of the Saxons, establishing fifty years of peace from the
Saxon's horrible brutality of slaughtering, burning and senseless vandalism (Jenkins
30-31).
Nennius's historical account is backed up by a set of Easter Tables. They were
calculating tables as to when Easter would fall out for the next given number of years
and in them were noted events of outstanding importance. In the annals were two dates
regarding Arthur. The first date is disputed: It is put as either 499 or 518 A.D. The
first entry reads:
"Battle of Badon, in which Arthur carried the cross
of our Lord Jesus Christ on his shoulders for three
days and three nights and the Britons were victors (Jenkins 28)."
The second entry dated 539 reads:
The Battle of Camlann, in which Arthur and
Modred perished. And there was plague in
Britain and Ireland (Jenkins 28)."
These accounts of Arthur are not only the basis for his fame, but they also show us the
broad terrain of Arthur's military activity. While the Battle of Mount Badon was fought
in Southern England, the battle of Cat Coit Celidon, mentioned in the Historia Brittonum,
was fought in Scotland. The implications of Arthur's widespread battles lead to two
conclusions of him. One is his political position as agent of a number of kingdoms, and
the other is his easy mobility of his forces (Alcock 18).
The mobility of Arthur's army makes it nearly impossible to pin Arthur down to a set
region. However, there was an archeological search for Arthur's castle Camelot in
southern Cadbury, Somerset, England attempted by The Camelot Research Committee in 1966
to 1972. They discovered "markings denoting the existence of an elaborate hill- fort.
Enormous concentric rings of earthen embankments covering over 18 acres outlined a
fortification that only a powerful warlord would have maintained (Schlesinger 107)."
Unearthed artifacts enabled the searchers to determine that the "castle" was active in
the sixth century. The architectural style resembled the style of Roman forts prior to
the Arthurian age. All evidence found gave proof that the fort was used during Arthur's
time, but none positively proved that Arthur actually lived there (Schlesinger 107).
The earliest search for physical proof of Arthur occurred in the twelfth century under
the command of King Henry II. During his reign it was rumored that the town of
Glastonbury was Arthur's resting place, the legendary island of Avalon. It was said
that the king's tomb laid between the two pillars in the cemetery of Glastonbury Abbey.
King Henry ordered the Glastonbury monks to search for the tomb. A tomb was found after
King Henry II died. At that time a monk wrote :
"Seven feet down the diggers found a slab of stone and
a lead cross inscribed HIC IACET SEPULTUS
INCLITUS REX ARTURIUS IN INSULA AVALONIA-
Here lies buried the renowned King Arthur in the
Isle of Avaon (Schlesinger 102)."
The monk also described the contents of the tomb. They found the skeleton of a tall man
and also some slighter bones with a scrap of yellow hair, presumably that of Arthur's
queen.
There is much debate on the authenticity of "Arthur's Tomb." It is impossible to say
that strands of human hair could have endured a period of 600 years. The blond hair
couldn't have existed if one wants to believe this is the tomb of Arthur. The lead cross
that was supposedly found by the monks, that marked the location of Arthur's burial
place, had been lost and is thought to have been made by the Glastonbury monks in order
to give more credence to their find and in order to gain more glory for their abbey
(Schlesinger 103).
There are several reasons why archeological proof is rarely available for the "quest of
truth" regarding the Arthurian time period. The prime reason for this is the fact that
Britons used perishable materials such as earth and wood to build their forts and homes.
Their daily tools were made from carved wood. The clothing and armor they wore were
made from leather, cloth, and fur, which all disintegrate quickly with time (Schlesinger
101). In addition to this, any archeological evidence that might be found would be
useless without a clear time scale into which it can be fitted. Also, their does not
exist an accurate historical time scale for events in Britain between the end of the
fourth century and the beginning of the seventh century. The archaeology can tell us how
Arthur might have lived but still would not resolve the prime question of who Arthur was
and when he lived ( Barber 23). A third reason for this is that we can't pin Arthur down
to one region or place, because of the hasty mobility of Arthur and his troops. It would
be very difficult to do a large scale archaeological dig on such a vast piece of
territory. None of Arthur's place names are accurate. Arthur's Seat, the various Arthur
Stones, and the Round Tables have no valid connection to him. Some of these items refer
to archeological monuments dated two or three thousand years after Arthur (Alcock 18).
Though Nennius's documents are more widely known, the earliest historical reference
referring to an Arthur is Life of Columba. It is written by Adomnan around 700 A.D.
Adomnan wrote about an Arthur who is the son of Aedan mac Gabrain, King of Dalriada.
This Arthur is a warrior who dies (before his father, never giving him the chance to
become king) fighting a tribe called Miathi. There are other occurrences with the name
Arthur, associated with the north of Britain (Barber 21).
There are several interpretations by historians of that earliest historical reference to
an Arthur. Richard Barber in King Arthur, believes that is the original Arthur that was
transformed into the legendary hero. He believes that we should reject Nennius'
historical account and dating. Richard Barber believes that Nennius fabricated from
literary sources his account to suit the political needs of the moment. He created a new
image of the hero with which to encourage his contemporaries. According to Richard
Barber, Nennius had his own purpose for history (Barber 22-23).
According to Richard Barber's interpretation, one can still believe that the Arthur
mentioned in the poem the "Gododdin" is referring to the first Arthur written about in
Life of Columba. The "Gododdin" was a famous Welsh poem in the year 600 that describes
the strength of a recently slain warrior. However, the poet admits about this warrior,
"But he was not Arthur." This incidental mention of Arthur's name, which is the first
mention of the legendary King Arthur, provides us with two conclusions. First, Arthur
had to be so well known that a simple mention of his name would bring to the audience's
mind the ideas of valor and heroism. Second Arthur had to have lived some time before
the 600's but not too much before so the figure of Arthur would still be fresh in the
audience's mind (Schlesinger 14).
Others disagree with Barber. They believe that the Arthur mentioned in the Life of
Columba is not the same Arthur of the legend. Arthur back then was a popular name because
it was associated with heroism. They believe the Arthur who was made into a hero lived
towards the end of the fifth century, early sixth.
In order to establish the historical validity of the "Gododdin," one must understand
that it was not the custom of Welsh poets to invent people and events; this is a modern
invention. Therefore, historians believe that all of the characters in the early poems
of Welsh literature are real people with actual events (Schlesinger 17).
In other early Welsh literature, Arthur is still a shadowy figure. This is partly due
to the fact that we only have fragments of early Welsh poetry in which Arthur's
appearances are brief as a poetic hero. "So the process by which the first legends were
woven around whatever historical nucleus there once was remains a puzzle (Barber 25)."
During the eleventh and twelfth century Arthur became so popular as a hero that Welsh
literature contains several references to Arthur which include actual incidents from his
legendary career. The Welsh poets probably invented the incidents in order to enhance
their work. Because of this there is no historical evidence on exactly what Arthur did,
but one can see from this his popularity as a hero at this time.
Welsh poetry usually portrays Arthur favorably. An ideal, heroic, active leader of a
band of successful warriors and knights. Other times it talks of his knights' exploits,
portraying him as the idol king who stays at home in a splendid romantic setting while
his knights underwent the hardship and adventure. Unfortunately, not many of their
triads have been preserved, though we do have many of their "headlines," which reflect on
Arthur's increasing popularity. In some of the earlier triads, we are introduced to
Arthur's wife Guinevere, and the magician Mordred, both of whom we meet again in later
romances.
Chretien de Troys, a French poet in the late twelfth century, adapted five tales about
Arthur's court for the French society. He replaces the rugged, masculine world of the
early tales of Arthur with the conflicts between the spiritual and the physical worlds.
In Chretien's tales the deeds King Arthur accomplished are less important than the
society that assembles at his court, the tales of the knights, and the beautiful ladies
that gather there. Chretien's most common subject is the problems arising from earthly
love. One of his famous stories is the romance between Lancelot and Guinevere. Like
other poets of the time Chretien was influenced by a code of "courtly love" (Schlesinger
73-76).
Chretien de Troys was the first to invent Camelot, a place with no historical
authenticity (Alcock 14). It is never mentioned in the earliest traditions, or early
evidence of Arthur. He saw Arthur as a monarch who needed the necessary furnishing and
therefore invented "The finest court that ever has been"(Schlesinger 73). He created
Arthur's court as a gathering place for nobles and courageous lords during the twelve
year period of peace between the Saxons and Romans.
Arthur's period of transition from reality to romance was long and complex. He was
remembered as a hero by the Welsh bards who embellished and added to his legend in their
own creative way. From Wales these tales traveled to Britain and France, where they
became popular during the twelfth century through being spread by jogleurs and minstrels
who wondered from castle to castle reciting Arthur's stories at feasts. The French poets
eagerly seized on to the new material, and developed it into the earliest versions of the
Arthurian legends that we possess today (Barber 34).
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