The American Novelist, John Steinbeck was a powerful writer of dramatic stories about
good versus bad. His own views on writing were that not only should a writer make the
story sound good but also the story written should teach a lesson. In fact, Steinbeck
focused many of his novels, not on average literary themes rather he tended to relay
messages about the many hard truths of life in The United States. Upon winning the Nobel
Peace Prize in 1962 the Swedish academy introduced him by saying "He had no mind to be an
unoffending comforter and entertainer. Instead, the topics he chose were serious and
denunciatory..." This serious focus was not exempt from his two works "The Grapes of
Wrath" and "Of Mice and Men". "The Grapes of Wrath" has been recognized by many as "the
greatest novel in American History" and it remains among the archetypes of American
culture. Although "Of Mice and Men" may not have received as much fanfare as the other
it is still a great classic that was recently made into a motion picture.
The focus of "The Grapes of Wrath" Is one family, the Joads, who has been kicked off
their Oklahoma farm and forced to move to California to look for work. The story has
historical significance as it is true that many families were forced, in the same way as
the Joads, to leave their homes to look for work during the depression. It is in this
fact that one can see how Steinbeck's intention in "The grapes of Wrath" was to depict
the hardships people went through during an actual event in American history. Perhaps
the most solemn message in this novel was the poor treatment of the dispossessed families
as they reached California. In "Of Mice and Men" the reader is presented with a story
that takes place in the same setting of "The Grapes of Wrath" This story details the
hardships of two traveling companions while they are working at a ranch in California.
The common thread between these two novels is not necessarily the plot or the setting
rather, it is the way in which Steinbeck relays his message. That is to say that,
although both novels carry different story lines they both portray hard truths about
human suffering. Steinbeck reveals these truths through his depiction of characters. In
each story it seems that the characters were crafted by Steinbeck in a bias manner so as
to emphasize the overall message of the book. It is quite obvious that all of
Steinbeck's characters are either good or bad. Steinbeck himself said "as with all
retold tales that are in people's heart's there are only good and bad things and black
and white things and no in-between anywhere" In both novels the dispossessed characters
are good and well intentioned and the wealthy people are brutal and mean. This of course
is done to make the situation seem all that more hard on the dispossessed characters.
In "The Grapes of Wrath" the character of young Tom Joad is a prime example of how
bias Steinbeck's portrayal was. With a quick glance at the history of Tom's life one
would say that he is not really the good guy. Yet after reading "The Grapes of Wrath"
the reader feels sorry for Tom and all of his faults are justified because of his
situation. Likewise, the characters of Ma and the preacher, Jim Casey do not fit their
traditional roles but, again, their actions are justified by Steinbeck. In the same way,
the book "Of Mice and Men" portrays two men (Lennie and George) running from the law,
looking for work. Lennie is a mentally handicap person who brings most of the trouble
to the pair. Yet, despite all of his downsides the reader is made to feel sorry for him.
George is portrayed in a good way until the end of the book where he kills Lennie, and
even then the reader feels for George because of the predicament he is in. The rest of
the characters in both novels are the rich and powerful. In "The grapes of Wrath" these
rich people were not even given names and Steinbeck's dislike for them is obvious. This
fact truly illustrates the message he is trying to get across . In "Of mice and Men" the
boss and his son Curley are portrayed as the bad guys.
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