Drugs in the music Industry
The Music World-glamorous, fast paced, and a world most of us will never be part of.
But if we knew what it entailed, would we still want to be? The whole world seems to be
building itself around drugs more and more every day, and music industry isn't immune.
In fact, music is one of the most influential art forms of today's society, and drugs,
especially to today's youth, just add to the attractiveness of it all.
In the last two or three years, drugs, especially heroin, have risen in use dramatically.
Kurt Cobain was the most high-profile drug-related rock star since the 1970's and was
still battling heroin addiction when he committed suicide in 1994. Along with him, his
wife Courtney Love made it fashionable to be a "junkie". In the last year, Stone Temple
Pilot's singer Scott Weiland and Depeche Mode singer David Gahan, among others, have
been arrested for cocaine or heroin possession. The number of top bands that have been
linked to heroin through a member's overdose, arrest, admitted use or recovery is
staggering: Smashing pumpkins, Everclear, Snoop Doggy Dogg, Dr. Dre, Blind Melon, Red
Hot Chili Peppers, The Breeders, Alice in Chains, Sex Pistols, Sublime, Iggy Pop, the
list goes on
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and on. Together, these bands have sold more than 60 million albums(Newsweek pgs 50 &
53).
Since kids emulate popular musicians, what is there to keep them from emulating their
drug use? Moreover, what's to keep the majority of the population from doing the same?
In the 60's and 70's, drug use was never spoken of nor did anyone admit that it was a
problem. Nowadays, there is not a person in the world who hasn't heard about the rising
drug use. But what are they doing about it? Back in the 80's, higher prices, the fear of
contracting AIDS, and lower purity kept drugs out of the mainstream. Now, drugs are
cheaper and easier to get then ever, being imported into the country at double the rate
it was in the 1980's. Unfortunately, the outsider's view of drug use isn't the harsh
reality. Janis Joplin, Billie Holiday, and Charlie Parker are among the many to die from
heroin and other drug addictions. Drugs seem to make you a funnier, wiser, cooler
person, but what the younger generation fails to realize is that they are fatal.
Despite this, drug use continues to soar. People mistakenly think that drugs, if taken a
certain way, aren't addictive, when even marijuana, thought to be a harmless "high", has
been found addictive.
The fear is that drug use is becoming another trend. The streets of Seattle are
cluttered with young people who have moved there just to do heroin just like Kurt Cobain
did-all this at a time when the people in the Seattle music scene claim that drug use
among musicians is tapering off (Newsweek p 54).
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Smashing Pumpkins fired drummer Jimmy Chamberlin after finding that he was addicted to
heroin along with late keyboardist Jonathan Melvoin. This was definitely a step in the
right direction, although they may have done it for the public acclaim. But will other
bands follow? If they did, there wouldn't be any musicians left. Nonetheless, the
Smashing Pumpkins didn't lose their place on the top ten charts. They didn't get pushed
into the trash pile, and if they survived, who's to say that no one else will?
People speculate that the pressures of success put a strain on musician's lives and push
them to use drugs to feel better about themselves, but they're not really very different
from normal people. Musicians are just common people who play music. Drug addicts are
all people, and names don't matter. Contrary to popular belief, musicians aren't royalty
to be worshipped and looked up to. They breathe in and out just as normal human beings
and have no more reason to give into the temptation of drug use than we do.
The natural tendency for people is to be accepted and to feel wanted. We take risks
just to look better and more courageous than our peers because we're competing for
popularity due to their own insecurities. The younger generation is the most
impressionable of today's world, and they do what they see as fashionable and "in".
This doesn't mean that adults don't join in on this competition. Each person's job or
company has to be bigger and better than the next.
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The Partnership for a Drug-Free America, best known for it's commercials on television,
now worries that heroin will be the drug of the 90's, and that musicians, as well as
movie stars, are helping to make it so. Earlier this summer, the organization aired
another shocking commercial. Showing images of junkie music celebrities and anecdotes
about middle-class drug use, this was the most expensive campaign ever against drug use.
Is this getting the attention that it deserves? Sadly, people still continue doing
drugs.
What makes drug use so popular? Is it the fact that people have found a
way to escape their problems, or that everywhere you look someone famous is doing it. If
people took the time to ask about the effects that drug use has after being used
continuously for log periods of time, they would find that it isn't all it's cracked up
to be. Dave Navarro, guitarist for the Red Hot Chili Peppers, said that he started
doing drugs at the age of 15 to relive his pressures after his mother died. Now a
recovered addict, he says that heroin ruined his dreams and turned his career from the
thing he wanted most into the thing he wanted to get away from (Newsweek p 65).
Many think that the lives of musicians are easy because they are wealthy,
popular, and sublimely happy. Being rich and famous isn't all it's cracked up to be.
They lead normal lives, have kids and pay bills just as we do, but this is still no
excuse to put your life into your own hands.
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The music industry may be finally facing up to the truth that drug abuse has
become a serious problem, though. The National Academy of Recording Arts and Sciences
gathered in 1996 to discuss what could be done about it. The sense of crisis has been
growing since Kurt Cobain committed suicide, blamed at least partly on his heroin
abuse.(Time p57)Expressions of concern are easy to come by, but the chances for
meaningful industry action are less clear. Record executives refuse to be drug police,
especially in a society where drug abuse has long been accepted, and even condoned, as
part of the creative process.
Geffen Records has retained a drug counselor for it's musicians who seek
help. (Time p 58). But the industry must recognize that pressure from the label to keep
tutoring and recording can blow a drug problem out of proportion. It is a minimal step,
but at least a start toward trying to keep musicians healthy, productive, and alive.
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