The Development of Desire
The development of the male warrior, throughout literature, has a direct relationship
with the development of western civilization. The attributes a warrior holds, fall
respectively with the attributes that each society held as valuable. These
characteristics, started by societies ideals, become the warrior's only reasons for
continuing their heroics. The ideals however do change with each warrior. At the
beginning we have a warrior with one mission, which later the warriors become more
challenged and have to change ideas and concepts to continue. The evolution of the
warriors desires becomes the complex ideals that western civilization develops over time.
With this progression of civilization, from simple to complex ideals, so will the
evolution of the ideals and desires of our heroes change from simple to complex.
Odysseus is a man who is both strong and smart, but most known not for the brawn of his
body, but the wits of his brain. A man who is loved in every country, but Trojan, and
could stay where ever he chooses, his sailors knew this to be true as one bench mate to
the next, "It never fails. He is welcome everywhere: hail to the captain when he goes
ashore!" (Homer 166). The irony falls as Odysseus only desires his homeland. "Begin when
all the rest who left behind them headlong death in battle or at sea had long ago
returned, while he[ Odysseus] alone still hungered for home and wife" (Homer 1).
Odysseus has many opportunities to end his journeys and start a new life. For instance,
if he desired, Odysseus was able to stay with Kalypso who wanted him forever, "Her
ladyship Kalypso clung to him in her sea-hollowed caves- a nymph, immortal and most
beautiful, who craved him for her own" (Homer 1). Kalypso knows even though she has
Odysseus in her home, he is not hers to have. "Son of Laertes, versatile Odysseus, after
all these years with me, you still desire your old home? Even so I wish you well"( Homer
87). To which Odysseus replies, "...Yet, it is true, each day I long for home, long for
the sight of home..." (Homer 87). Another chance for Odysseus to start a new life is
offered by the king of the Phaecians to marry his daughter and live there; "...seeing the
man that you are, seeing your thoughts are my own thoughts-my daughter should be yours
and you my son-in-law, if you remained. "( Homer 120). In each case, Odysseus, only wants
to return to his wife Penelope, his son, and most of all his homeland.
Odysseus, who endures many hardships throughout his journeys, always seemed to be one
step ahead of the reader in knowing what to do to get out of a situation. The problems
during the stories come not from Odysseus judgment, but the judgment of his men. This
became evident more than once when his men would disobey his orders, which resulted in
death or peril. To illustrate, the story of the men taking the bag from Aiolos from under
the deck right when they were at the sight of their homeland:
Nine days and night we sailed without event, till the tenth we raised our
land. We neared it, and saw the men building fires along shore; but now weary to the
bone I [Odysseus] fell into deep slumber...but while I slept the crew began to parley:
silver and gold , they guessed, were in that bag....[bench mates] 'Who has gifts from
Aiolos? He has. I say we ought to crack that bag, there's gold and silver, plenty, in
that bag!' (Homer 166),
with such greed, by opening the bag, the adverse winds are unleashed with full fury.
"Then every wind roared into a hurricane; the ships went pitching west with many cries;
our land lost"(Homer 166). With these trials of Odysseus, and throughout the journey, we
see Odysseus spares nothing on his return home. He loses men, ships, and wealth from Troy
and the gods. With all the losses he sustains over the long journey he is unmoved, for
his only passion is to return home.
Odysseus's biggest attribute is his personal control of emotions and events. He has many
emotions throughout the story, but always exhibits control in thinking and actions. Look
at the careful planning and patience when waiting for the time to kill all his suitors.
Another duration, Odysseus wants to punish his men many times over for the greed and
stupidity they show throughout their journeys, "My men are mutinous fools..." (Homer
146), but he controls his anger and continues on their journey back home. Odysseus, with
such control, is the very model of a leader and king. Control was very valuable in Greek
society. A perfect contrast to Odysseus's' control is the character Antinous. Antinous
has no control over his emotions or actions, as he leads the ban of suitors, being the
most brash of the suitors. Look at the anger he displaces on Odysseus during a dinner in
which Odysseus is in disguise as a beggar:
God what evil wind blew in this pest? Get over, stand in the passage! Nudge my table,
will you? Egyptian whips are sweet to what you'll come to here, you nosing rat, making
your pitch to everyone! (Homer 325).
The desire of Odysseus to returning home is that of pure dedication. This is easily seen
throughout the text, by the rejections he sends to all who give him gifts to stay. This
dedication falls into the ideals of the Greek culture, and the belief behind community
above all other ideals. Wealth, and power would be nothing without the sense of community
behind the individual. A careful look into the story of The Odyssey, points out Homer's
feelings of when the sense of community can be abused with the presentation of the
suitors. A statement speaks of Odysseus's absolute desire to return home. When he nears
Ithacas' shores which falls asleep from exhaustion, his men doom him by taking the gift
from Aiolos, as mentioned previously in the text, the gloom and despair Odysseus
confesses to as the thought he whispers to himself, "Roused up, despairing in that gloom,
I thought: 'Should I go overside for a quick finish or clench my teeth and stay among the
living?'..."(Homer 166). Such a thought does occur to our hero, but he fights to return
home instead of taking the simple way out, and eventually becomes triumphant in his
desire.
Beowulf becomes a different type of male warrior which surfaces at a new time in
civilization from The Odyssey. Written after the ancient civilizations of Greek and Rome,
dawning in the hour of the dark ages. Our warrior surfaces during a time when different
tribes throughout Europe were trying to keep their different identities alive. To
accomplish such a feat, the warriors of this era had to have an ideal that connected them
to their tribe, but ,above all, the warriors had to be menacing. The ability to scare
away invasions by the rumors of their warriors is possibly how the story of Beowulf first
surfaced. This is where Beowulf's size and strength become a valuable attribute to the
society. He is the epitome of pure strength and power. He is also a man who is the first
story in which our hero is Christian. In the stories before Beowulf, like The Odyssey and
The Aenied, the stories are between men and gods on an even playing field[Earth], but
different level of players. It would be like a basketball game between high school
players and NBA players. No longer are the events occurring between the gods and men,
instead we have the super human versus those of the evil realm.
Beowulf becomes more complex as a warrior, and a character who transforms throughout the
story:
To you I will now put one request, Royal Scylding, Shield of South Danes, one sole favor
that you will not deny me, dear lord of your people, now that I have come so far,
Fastness of Warriors; that I alone may be allowed, with my loyal and determined crew of
companions, to cleanse your hall Heorot As I am informed of this unlovely one is careless
enough to carry no weapon, so that my lord Hygelac, my leader in war, may you take joy in
me, I abjure utterly the bearing of sword or shielding yellow board in this battle! With
bare hands shall I grapple with the fiend, fight to the death here, hater and hated! He
who is chosen shall deliver himself to the Lord's judgment (Beowulf 64-5).
He is a man of honor, and seeks that honor throughout his life. He feels that the fight
shall be on even terms, of no weapons on each side. This honor is another aspect of the
society of the times. The idea of honor to your allies and towns people to help them with
their needs was existent to survive in these times of invasions by other tribes and
hoards, and strengthening the ties leading to the forming of nation states. He is also a
man of God, with this statement, "...shall deliver himself to the Lord's judgment." (65)
He vows to send Grendal to God for judgment on his evil deeds on earth. Beowulf as a
warrior ,has two levels to his character; an upper level, of honor and religion, and a
lower level of sheer emotion and power. Of these levels of Beowulf, we see the lower
level dominates his personality with power and emotion dictating his actions and
speeches, but later in life, as king, relies more on his religion and honor to dictate
the judgment of what is right or wrong. No longer do the gods of Rome and Greek mythology
dictate what is wrong or right, with offerings to appease the gods. With the knowledge in
the warrior for what is, and will be, wrong, has an effect of making Beowulf an extension
of God. In all these acts of honor, Gods glory above all is sought.
Sir Lancelot becomes the final touch to the evolution of the warrior. He is a warrior
with all the attributes of the warriors before him. He has the skill of Odysseus with
control of his emotions, thoughts, actions, and the same pure desire for something. He
has the same honor, and belief in God's guidance to what is right as Beowulf believed.
Before Lancelot, the warriors all battled the likes of monsters, either from the will of
the gods or monsters on their own mission. Lancelot is a man who has no battles with
superhuman beings or arguments with gods, but a fight within himself and the fight for
his desire. A man possessed, he risks pride, reputation, body, and soul, all for the
return of love from his lady Guinevere. His battles and stories are not all physical, as
the previous warriors, but a mental triumph over the various tasks. Look at the ride in
the cart and the battle within Lancelot to obtain the right decision on what to do:
Woe that he did this, and woe that he was ashamed of the cart and so did not jump in at
once, for he would later consider himself ill-fallen. Reason, which disagrees with Love,
told him to refrain from climbing in and admonished and instructed him not to do or
undertake anything that could bring him disgrace or reproach. Reason, which dared speak
this way, spoke from his lips, but not from his heart. But Love, which was enclose in
his heart, urged and commanded him to climb into the cart at once. Love achieved his
desire. The knight leapt up without concern for the disgrace because this was Love's will
and command (Beowulf 174).
Lancelot battles between his heart and mind on what choice to make. Yet we see Love is
much more powerful in his desire, or as he says, "Love achieved his desire" (174). This
is not the only case of such a battle in Lancelot, and it is not always over love. This
tale of honor by Lancelot, who saves a maiden who holds a deed he does not want to
fulfill. Before the night is long, the maiden is attacked and pleas for help from
Lancelot who thinks:
God what can I do? The object of my great pursuit is no one less than the Queen
Guinevere. Having embarked on this quest for her, I must follow have the heart of a hare.
If cowardice gives me her heart and I follow her rule, I shall never reach my goal. I am
disgraced if I stay here. Merely to have spoken of remaining brings deep shame onto me
now. My heart is sad and dark... May God never have mercy on me if I speak with pride and
would not rather die with honor than disgrace (de Troye 155).
The story shows the honor that Lancelot has for what he believes is right by God,
although he knows by saving her will only mean that he will still have to sleep with her,
which he replies "The object of my great pursuit is no less than Queen Guinevere" (155).
Yet his feelings of honor takes hold and he goes on to save the lady of the castle, and
feels horrible for his hesitation. This sense of honor even goes above Beowulf's honor
for what was Beowulf's desire. Lancelot holds it as something he must do even if it is
against his desire. This is an attribute of the society of these times. The ideals of the
society was that the knights would uphold honor above all other matters, even matters
they disagreed with. Another aspect is this desire for courtly love with utter devotion
to the admired and loved.
Perhaps the most compelling aspect of Lancelot is the act in which he hears of the rumor
that Guinevere is dead. He becomes so sorrowful that he proclaims:
...My health is good, but you have struck me down. I am crushed, yet the sole pain I
feel is the grief in my heart. This grief is an illness, indeed a fatal one, and I wish
it to be fatal (de Troye 165),
at this he attempts to commit suicide, and fails. This act is completely out of love for
Guinevere for which he believes is over. The "great pursuit" (155) for Guinevere, he
believes is over, so to than will his life perish, for his life was nothing without her
there. Yet, the passion he displays is nothing short of amazing, to love so strongly to
risk his own personal beliefs for that love. The last complex piece to the puzzle of the
warrior, not just personal sacrifice in time, or your life, but the ideals and beliefs
one holds discarded for the desire to reach what he wants.
Evolution, over time, has shaped the ideas and beliefs on what the warrior holds in his
journeys. That the warrior tales started with a man trying to return home, to a man
sacrificing his beliefs for the love of a women. The desires of these warriors have been
that of building blocks. Each one builds to the next ideal. Yet we see that all the
desires were pursed with a persistence unsurpassed throughout literature and history.
These men were able to fight insurmountable odds to achieve what they deemed valuable. It
is the act of something no one would be able to challenge. Take the example of Lancelot
and Sir Gawain, during The Knight in the Cart. Sir Gawain is praised as a noble, and a
Valiant knight, while Lancelot is presented as a less knight than Gawain. Lancelot's
sacrifice of his own beliefs only prove that these were acts above those of a normal
person, even Sir Gawain, a higher more noble person than most, would not sacrifice as
Lancelot . A perfect example of this is the cart scene in which Sir Gawain approaches the
cart and sees Lancelot in the cart; "Sir Gawain galloped after the cart, and seeing the
knight sitting in it, was amazed...He would certainly not climb in the cart, he said, it
would be base in extreme to trade a horse for a cart" (de Troye 151), he was not ready to
sacrifice the same as our hero Lancelot. These acts by Lancelot could be parallel to
those of Beowulf and his physical fights and sacrifices throughout his story. Or that of
Odysseus and the long journeys he had to endure to get to his homeland.
The most striking aspect of these warriors is the complexity of the characters
themselves. We see that the travels of Odysseus is purely for his return for home, and
return to the community he loves. He has no realization that he is anything else nor does
he change his outlook on life from his journeys. Odysseus stays the same from beginning
to end of the story even though time has taken many years from him. The story of Beowulf
has a different development over the story. We watch as Beowulf transforms from a
powerful young man who will go out and fight all;
Had they not seen me come home from fights where I had bound five Giants-their blood
was upon me- cleaned out a nest of them? Had I not crushed on the wave sea serpents by
night in narrow struggle, broken beasts? (Beowulf 64).
A man all-powerful among men, and yet he changes from the mercenary, to the king, against
his wishes but what the town people most desired from him. This transformation from a man
who helped people, for his own pleasure and honor, to a man who becomes helper of the
people, not to the people. Last we have the change of a man who risks death by fighting,
and running after Guinevere and her capture's on foot, and then sacrifices his own
beliefs to be next to his love. He starts out as a man possessed to save Guinevere. To a
man who is controlled, willfully, by Guinevere. Take the example of the fight between
Meleagant and the stopping of the first fight:
..The last words she uttered, 'To show you my gratitude, I will Lancelot to halt,' had
scarcely left he lips when he would not lay a hand on his opponent or make a move, even
if Meleagant were to kill him (de Troyes 162).
He would not defend himself for the sake of breaking this devotion to his love! A
previous line in the text points out why Lancelot would do such an action during a
battle,
A lover is obedient; when he is completely in love, he performs his beloved's pleasure
eagerly and promptly. Thus Lancelot, who loved more than Pyramus- if love more than any
man could- was compelled to comply (de Troyes 162).
Such a power dominates his every thinking moment, even during the fight for his life and
the life of those captured. This development of the warrior is one, close to the
transformation of the King Beowulf to his people, but more complex. Whereas our hero
Beowulf still sacrifices himself for his own honor and to help his people. The actions of
Lancelot start as a man of individual status to one who is immersed in his devotion to
the one he loves.
We are to understand that these attributes and actions our warriors have, are those
which each society saw as grand and wonderful that all should strive for in their
society. The strong sense of the homeland to Odysseus is what the Greeks were to strive
for in the building of their empire around the main homeland of Athens. We see the
attributes of Beowulf as important to the dark ages and the invasions of the Franks where
our most important task seen for the warrior in the culture was to defend your hoard from
all intrusion, evil or human. That the sacrifice for the hoard was the most honorable
thing you would ever be able to achieve in your lifetime to the hoard. Last we have
Lancelot, who shows the attributes most liked during this society is that of courtly
love, honor, and the devotion one gives to their soul mate, with the relinquishing of his
views for that of his lady's wishes. "he performs his beloved's pleasure eagerly and
promptly" (de Troyes 162). The actions are fulfilled with eagerness and promptly for the
love of the person. Although each one has been similar in the way they are triumphant in
there quest, and the men continue to look tough through all actions, the quality they
start to show, subtly, is that of compassion and willingness to help all people, even if
it circumvents their own desire temporarily.
The progression of society from the time of less diversified ancient Greek culture, to
the explosion of diversity in tribes and people, creating identities and forming the
groundwork for nation states, the warriors desires and attributes also rose from a single
idea or goal, to that of complex characters and values. Where the complexity involved the
ideas of laws pertaining to all. These laws, unwritten, developed through Beowulf, and
latter in The Knight in the Cart, as that of honor. Overall, the development of
characters became a way of projecting the proper ideals on the society to uphold. This
became the link between the warriors and the civilizations they represented.
Works Cited
Boyle, Doebler, Lopez-Lazaro and Wright. Hum 301. Tempe AZ. Alternative copy shop, 1996
Homer. The Odyssey. Trans. Robert Fitzgerald. New York: Vintage Classics, 1990.
Unknown. Beowulf. Trans. Michael Alexander. New York: Penguin Books, 1973.
Virgil. The Aeneid. Trans. Robert Fitzgerald. New York: Vintage Classics, 1990.
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